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November 9th: The Premier
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November 9th: The Premier

Sunday, November 10, 2024 at 12:00 AM

The very first Ghost Harmonics event! Kicking off a new series of poetry, music, and art in Philly.

Featuring readings by Sadie Dupuis, Chris Campanioni, olga mikolaivna, and John Pinto, with music by Ollie Becker/Edward Longo and Yell at God, and a hybrid performance by William Hazard.

Personnel

Sadie Dupuis

Sadie Dupuis is the guitarist, songwriter & singer of rock band Speedy Ortiz, as well as the producer & multi-instrumentalist behind pop project Sad13. Sadie heads the record label Wax Nine, edits its poetry journal, and is a regular contributor to Spin, Tape Op, Talkhouse, and more. She holds an MFA in poetry from UMass Amherst, where she also taught writing. Mouthguard, her first book, was published in 2018 (Gramma); Cry Perfume, a second poetry collection, was released in 2022 (Black Ocean). She is an organizer with United Musicians & Allied Workers and its local UMAW Philly.

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Ollie Becker/Edward Longo

Ollie Becker is a composer/improvisor/guitarist/vocalist based out of Boston. Current projects include: vocals in noise rock band Rong, composition and guitar in ensemble Premium Velvet Headache Pillow, solo guitar, and a couple new groups to be shared soon. This past February they premiered a piece for duo violin called "Ghost Weight" through Subject to Change, a project of the Magari Ensemble. Over the summer and fall they participated in multiple residencies hosted by the Banff Centre, the Australian Art Orchestra, and the Prattsville Art Center. They are also a studio assistant at New Alliance Audio in Somerville, MA.

Edward Longo is a multi-instrumentalist composer/improviser from Montana, currently based in Nashville. Current interests are exploring novel ways of combining raw black metal and noise with rigorous compositional techniques and harmonies as well as classical and jazz improv.

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Chris Campanioni

Chris Campanioniโ€™s work on migration and media theory has been awarded the Calder Prize for interdisciplinary research and a Mellon Foundation fellowship, and his writing has received the Pushcart Prize, the International Latino Book Award, and the Academy of American Poets College Prize. His essays, poetry, and fiction have been translated into Spanish and Portuguese and have found a home in several venues, including Best American Essays and Latin American Literature Today. Recent books include a novel named ๐˜๐˜๐˜š (CLASH Books, 2025), a creative nonfiction called ๐˜ฏ๐˜ฐ๐˜ณ๐˜ต๐˜ฉ ๐˜ฃ๐˜บ ๐˜ฏ๐˜ฐ๐˜ณ๐˜ต๐˜ฉ/๐˜ธ๐˜ฆ๐˜ด๐˜ต (West Virginia University Press, 2025), a notebook titled ๐˜ˆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜‰ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ˆ๐˜ญ๐˜ด๐˜ฐ ๐˜•๐˜ฐ๐˜ต๐˜ฉ๐˜ช๐˜ฏ๐˜จ (Unbound Edition, 2023), and the poetry collection ๐˜ž๐˜ช๐˜ฏ๐˜ฅ๐˜ฐ๐˜ธ๐˜ด 85 (Roof Books, 2024). He teaches creative writing and media studies at Pace University in New York City.

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William Hazard

William Hazardย makes poems with computers. Recent work can be found inย Action, Spectacle,ย At What Cost Catalog,ย Voicemail Poems,ย Ghost Proposal, and elsewhere. He teaches atย Temple University. He hangs out atย llllllll.co.

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olga mikolaivna

olga mikolaivna was born in Kyiv and works in the (intersectional/textual) liminal space of photography, word, translation, and installation. Her debut chapbook ๐˜ค๐˜ช๐˜ต๐˜ช๐˜ฆ๐˜ด ๐˜ข๐˜ด ๐˜ง๐˜ข๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ด is out with Tilted House, and "๐˜ฐ๐˜ถ๐˜ณ ๐˜ฎ๐˜ฐ๐˜ฏ๐˜ถ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต๐˜ด ๐˜ต๐˜ฐ ๐˜š๐˜ฐ๐˜ถ๐˜ต๐˜ฉ๐˜ฆ๐˜ณ๐˜ฏ ๐˜Š๐˜ข๐˜ญ๐˜ช๐˜ง๐˜ฐ๐˜ณ๐˜ฏ๐˜ช๐˜ข," ๐˜ด๐˜ฉ๐˜ฆ ๐˜ค๐˜ข๐˜ญ๐˜ญ๐˜ด ๐˜ต๐˜ฉ๐˜ฆ๐˜ฎ is forthcoming with Ursus Americanus. Other works can be found in ๐˜ฎ๐˜ฆ๐˜ณ๐˜ค๐˜ถ๐˜ณ๐˜บ ๐˜ง๐˜ช๐˜ณ๐˜ด, ๐˜”๐˜ฆ๐˜ต๐˜ข๐˜ต๐˜ณ๐˜ฐ๐˜ฏ ๐˜—๐˜ณ๐˜ฆ๐˜ด๐˜ด, ๐˜Š๐˜ญ๐˜ฆ๐˜ท๐˜ฆ๐˜ญ๐˜ข๐˜ฏ๐˜ฅ ๐˜™๐˜ฆ๐˜ท๐˜ช๐˜ฆ๐˜ธ ๐˜ฐ๐˜ง ๐˜‰๐˜ฐ๐˜ฐ๐˜ฌ๐˜ด, and elsewhere. She lives in Philadelphia and co-curates ( ๐˜ฑ๐˜ฆ๐˜ฆ๐˜ญ ๐˜ญ๐˜ช๐˜ต )

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Yell at God

Yell at God is a South Philly-based dark folk/folk punk queer femme duo using music to facilitate emotional catharsis and collective joy and healing. Using clawhammer banjo, jugband-style bass, wailing vocals, and the occasional fiddle, Yell at God weaves sonic tapestries that make you want to dance, hug your friends, scream, and cry, all at the same time if the occasion calls for it. Yell at God is made up of Orah Ruth and RJ, who love to trade instruments and bring other artists and guests into the performance at every opportunity.

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John Pinto

John Pinto is a film lab technician living in Philadelphia. His work has appeared in Little Engines, X-R-A-Y, HAD, Rejection Letters, Back Patio Press, and the Second and Third Bullshit Anthologies. Find him online at pintopintopinto.com. Find him IRL and heโ€™ll give you a copy of his new zine โ€œBill Kiss,โ€ coming fall 2024 from Tree Trunk Books.

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